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This Washington Post "Best Book of the Year" grapples with the complexities of the second-generation American experience, what it means to be a woman of color in the workplace, and a sister, a wife, and a mother to daughters in today's America.
When a woman—known only as Mother—moves her family from Atlanta to its wealthy suburbs, she discovers that neither the times nor the people have changed since her childhood in a small Southern town. Despite the intervening decades, Mother is met with the same questions: Where are you from? No, where are you really from? The American-born daughter of Bengali immigrants, she finds that her answer―Here―is never enough.
Mother's simmering anger breaks through one morning, when, during a violent and unfounded police raid on her home, she finally refuses to be complacent. As she lies bleeding from a gunshot wound, her thoughts race from childhood games with her sister and visits to cousins in India, to her time in the newsroom before having her three daughters, to the early days of her relationship with a husband who now spends more time flying business class than at home.
Drawing inspiration from the author's own terrifying experience of a raid on her home, Devi S. Laskar's debut novel explores, in exquisite, lyrical prose, an alternate reality that might have been.
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[post_content] => "Freitas recounts with great thoughtfulness how her perception of the power differential between [herself and her stalker], as well as her faith in the religious and educational institutions she'd grown up with, lulled her into susceptibility and disbelief."―New York Times Book Review
"Donna Freitas combs through the emotional knots that form when a mentor's attention becomes inappropriate and manipulative. With sharp attention, she separates the many strands of consent one by one. A riveting, significant examination of the forces that push a student into silence about unwanted attention."―Idra Novey, award-winning author of Those Who Knew and Ways to Disappear
"A meticulously recounted memoir of building dread, that pushes our understanding of power and its abuses. Freitas's story complicates and illuminates our ideas about harassment and harm, showing how it doesn't just begin and end within the confines of physical contact: it infiltrates our own heads, is enabled by the very structures that are supposed to be our recourse from it but too often work to cover it up."―Rebecca Traister, New York Times bestselling author of Good and Mad
"In Consent, Donna Freitas writes an experience many women know all too well: Being stalked. What makes this book is uniquely powerful is Freitas's particular expertise in this area: She is a scholar and speaker on issues of consent, religion, Title IX, and sex on college campuses."―Bustle
"A groundbreaking resource for educators, administrators, students, and survivors, the book explores an issue many would prefer to ignore.A potent memoir of stalking with special resonance in the era of #MeToo.―Kirkus, starred review
"Any reader interested in current discussions on consent and its importance should pick up this heartfelt and harrowing book."―Library Journal, starred review
"Freitas is incredibly honest and doesn't shy away from her feelings that she is in some way at fault. She rounds out her memories with details of her family and friends as well as more studious synthesis, and calls for campus reform, adding heft to an already important story."―Booklist
"Freitas has mastered the telling of her story--despite repeated attempts by others to keep her from doing so--and has mastered it in such a way that its telling sheds light on a larger societal issue. . . . A difficult but important read about one woman's survival of stalking by her professor, and the role of consent in any relationship."―Shelf Awareness
"Freitas' delicate study of her torment and its devastating effects, which raises thorny, meaningful questions about how to define consent, is an important testament for the #MeToo era."―Publisher's Weekly
"Consent is an affecting memoir."―The Wall Street Journal
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[post_content] => “A smart, sexy, delicious novel.”—People
“More Than Words is an outstandingly poignant and honest novel. Jill Santopolo is a true master of matters of the heart. This is a tender and wise story about family, love, and self. I couldn't put it down.”—Taylor Jenkins Reid, author of The Seven Husbands of Evelyn Hugo
“A heartfelt story about life, love, and taking chances in the aftermath of loss ...This is a charming and sexy crowd-pleaser.”—Publishers Weekly
“Santopolo returns with the tender More Than Words.”—Marie Claire
“Another gorgeously heart-breaking and romantic read....This one is certainly going to sweep you up in feelings.”—Bustle
“When the owner of a fancy hotel chain dies, he leaves behind a big secret that seriously shakes up his daughter's life. And makes her rethink her relationship status. This one is best read at home (hint: tissues).” —The Skimm
“Santopolo's prose takes readers through a story of romance, grieving and growing that's nearly impossible to put down.” —AM New York
“Nina's struggle to decide between two men is propulsive and compelling. Full of drama, scandal, and romance, [More Than Words] is sure to delight fans of Santopolo's The Light We Lost.”—Kirkus Reviews
“This emotional tale of grief, romance and determination reminds us that we can live life on our own terms, and encourage our kids to do the same.”—Family Circle
“The latest from bestselling author Santopolo is a bittersweet and reflective novel of grief, loss, and coming into one’s own.”—Booklist
“[An] emotional, romantic story.”—AARP Magazine
“If you and your book-loving friends are fans of Reese Witherspoon’s book club, this book needs to be your next club pick.”—Parade
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[post_content] => “[An] epic duel between two flawed women—it’s the perfect thriller to round out your summer.”―People
“Never Have I Ever becomes a tale of moral suspense in addition to a psychological thriller. Its several plot twists are surprising and effective, and there are gripping sequences involving Amy’s work as a deep-sea diver woven logically into the narrative. Many books claim to be the perfect beach read. This one doesn’t, but it certainly fits the bill.”―Wall Street Journal
"Jackson has been establishing herself as a master of domestic suspense for years, and her hyped latest should do little to change that. A carefree neighborhood evening of games, gossip, and wine gradually evolves into something much more sinister, as engineered by a woman harboring unsettling secrets."―Entertainment Weekly
“Bestselling author Jackson packs in dramatic reveals about the women’s complex histories.”―Time
“Bestselling Jackson successfully trades her usual quirky Southern lit for darker psychological suspense in this latest highly recommended novel. Her prowess at writing affecting, character-driven fiction is on full display, and readers will devour the twisty, consuming story.”―Library Journal (starred review)
“Nail-biting suspense.… Jackson builds on her talent for creating imperfect, capable, and multi-layered characters to write smart suspense, driven by the intelligence and determination of the instigator and her prey… Never Have I Ever marks a new high in Jackson’s career.”―Booklist (starred review)
“Wonderful—suspense and surprises, real characters, and a scary, ominous backbeat. This feels like the book Jackson was born to write.”―Lee Child, New York Times bestselling author
“A smart, original thriller with real, compelling characters and a chilling reveal. I couldn’t turn the pages fast enough.”―Clare Mackintosh, New York Times bestselling author of I Let You Go
“The more Roux and Amy became obsessed with each other, the more obsessed I became with the book. Jackson is a master... Fans of Joshilyn Jackson and newcomers alike will eat this book up. I did, and I’m hungry again.”―Sara Gruen, New York Times bestselling author of Water for Elephants
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[post_content] => If our family stories shape us, what happens when we learn those stories were never true?
Who do we become when we shed our illusions about the past?
Maya Shanbhag Lang grew up idolizing her brilliant mother, an accomplished physician who immigrated to the United States from India and completed her residency all while raising her children and keeping a traditional Indian home. Maya’s mother had always been a source of support—until Maya became a mother herself. Then the parent who had once been so capable and attentive became suddenly and inexplicably unavailable. Struggling to understand this abrupt change while raising her own young child, Maya searches for answers and soon learns that her mother is living with Alzheimer’s.
Unable to remember or keep track of the stories she once told her daughter—stories about her life in India, why she immigrated, and her experience of motherhood—Maya’s mother divulges secrets about her past that force Maya to reexamine their relationship. It becomes clear that Maya never really knew her mother, despite their close bond. Absorbing, moving, and raw, What We Carry is a memoir about mothers and daughters, lies and truths, receiving and giving care, and how we cannot grow up until we fully understand the people who raised us. It is a beautiful examination of the weight we shoulder as women and an exploration of how to finally set our burdens down.
"A larger mediation on motherhood, daughterhood and feminism [...]. In exquisitely precise prose, Lang makes an argument that honesty is what’s truly empowering…we see a relationship between mother and daughter that feels new and tentative—because life changes so much every few years, bringing out unseen sides to each of them.”—New York Times Book Review
"Maya learns her brilliant physician mom has Alzheimer’s soon after she has a daughter herself. Caught between caring for her mother—consequently uncovering some family secrets—and her child, Maya writes in absolutely beautiful compelling prose about what it means to be a daughter—and a mother—today."—Zibby Owens, GoodMorningAmerica.com
"Part self-discovery, part family history...[Lang's] analysis of the shifting roles of mothers and daughters, particularly through the lens of immigration, help to challenge her family’s mythology...Readers interested in examining their own family stories...will connect deeply with Lang’s beautiful memoir."—Library Journal (Starred Review)
“A stirring memoir exploring the fraught relationships between mothers and daughters…astutely written and intense…will strike a chord with readers.”—Publishers Weekly
"An exquisite exploration of love--its boundlessness and its limitations--between a mother and daughter that makes us examine the unknowability of who we are and the strength of our bonds with those who shape us. This story is so elegantly told, and with such rawness and compassion. I fell madly in love with Maya and her complicated, indelible mother and could not put this book down."—Lori Gottlieb, New York Times bestselling author of Maybe You Should Talk to Someone
"A dazzling, courageous memoir about the weight we carry as women, daughters, and mothers — and what happens when we let go. Lang takes us deep into the heart of relationship with her mother, a brilliant psychiatrist and Indian immigrant with long-buried secrets. After a health crisis brings mother and daughter under the same roof for the first time since childhood, Lang grapples with new information about the parent she'd idolized, and realizes it's time to tell the story of her own life. What We Carry is a love letter to everyone who has swum through turbulent water before reaching the shores of selfhood."—Chloe Benjamin, New York Times bestselling author of The Immortalists
“What We Carry is a wise, tender, and unswervingly honest memoir that reads like a mystery. With emotional precision and detective-like clarity, Maya Shanbhag Lang investigates the many ways in which we all participate in the often-painful mythology of a family. As thrillingly, Lang’s ultimate revelation is a hopeful one, reminding us that we are stronger than we think.”—Christopher Castellani, author of the New York Times bestseller Leading Men
“Maya Shanbhag Lang thought she knew her capable physician-mother and her story. But when Alzheimer’s hit early, Lang found herself adrift in a sea of unwelcome truths and ambiguous loss. In this searingly honest, beautifully written memoir, Lang chronicles her journey as she revises her illusions of the past and becomes a larger-hearted, more accepting, and generous version of herself. Anyone who has ever struggled with a fraught mother-daughter relationship will enjoy this book. Those who face the ordeal of caregiving, with all its love, loss, and unexpected gifts, will be inspired. My heart opened reading this extraordinary memoir.”—Katy Butler, author of the New York Times bestseller Knocking on Heaven’s Door and The Art of Dying Well
“What We Carry is a profoundly moving memoir about secrets, trauma, and what happens when, for reasons beyond anyone’s control, we can no longer get what we need from those we love, or give them the things they most want from us. In exquisite prose, Maya Shanbhag Lang writes about her extraordinary mother and the cruel circumstances that complicate their relationship. At its heart, this is a book about one of the greatest gifts any parent can give a child: the power to save yourself.”—Will Schwalbe, author of the New York Times bestseller The End of Your Life Book Club and Books for Living
“In What We Carry, Maya Shanbhag Lang has created a gorgeous memoir about mothers, daughters, and the tenacity of the love that grows between what is said and what is left unspoken.”—Mira Jacob, author of Good Talk
"How do we really know the ones we love? Lang thought she knew her Indian immigrant mother through her stories, but when her mother began to suffer with Alzheimer’s, profound truths and unsettling secrets began to emerge. But what is so remarkable about Lang’s book is that rather than losing her mother to a memory disease, she was given an opportunity to come to terms with the exquisite ties that bind mother and daughter together. Truly, a gorgeous memoir."—Caroline Leavitt, New York Times bestselling author of Pictures of You, Is This Tomorrow and Cruel Beautiful World
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[1] => Rotor 1
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DeFiore and Company is a mid-sized dynamic literary agency based in Manhattan’s Union Square. Our staff brings decades of experience as agents, and as former editors, publishers, and rights directors at major publishing companies, to the task of building the careers of our clients.
ABOUT US
Our staff of agents represents dozens of authors and experts, including #1 New York Times bestsellers, award-winning fiction writers for adults and children, and important non-fiction authors.
Read moreNEWS
Maya Lang’s “The Anxiety of Growing Up Asian American” in New York Magazine’s The Cut
Maya Lang’s essay “The Anxiety of Growing Up Asian American” appeared in New York Magazine’s The Cut. Read the piece […]
Read moreFILM/FOREIGN RIGHTS
Our clients’ work has been translated into scores of languages, have been published in innovative digital editions, and have been the source material for major television and feature film adaptations.
Read moreSUBMISSIONS
DeFiore and Company is always looking for exciting, fresh, new talent to add to our list of successful authors. We are currently accepting queries for both fiction and non-fiction titles.
Read more